The Yellow Quilt
2024
This work was created while on residence at The Vermont Studio Center in March - April of 2024
The Yellow Quilt was an ephemeral, site specific installation that was on view during Open Studios, located in the Barbara White Building, Studio #8
Work Statement for The Yellow Quilt:
The yellow quilt in inspired by a janky “handmade” quilt I used at my granny’s when I was a child. It was gifted to her as a set (one yellow + one pink) for her new twin girls (my aunts) in the 70s.
The pink one was lost, but the yellow one still exists. My cousin and I friendly fight over who will inherit it (we have decided to cut it in half).
The piece pays respect to this deep seated desire in me to work with my hands; a lineage my granny and great grandmother (and their mothers before them) participated in; but in an act that was laborious in that it was necessary. Theirs was a domestic world of tyrannical men and an inability to control their finances.
Handiwork centered around creating functional goods was not only a basic need, but an act of escape placed in ever “knit on, pearl one” as they created revealing artifacts that memorialized themselves.
I have experienced my own versions of the tyrants and have escaped using what my granny taught me (knit one, pearl one, keep your tension even).
This is an observation of how they’ve tinkered their way out from under heaviness. It is here to honor their
embrace.
The Yellow Quilt
2024
Ephemeral Mixed Media Installation: soft pastel, charcoal, colored pencil, pencil, pen, acrylic, mulberry paper, yarn, bra pad inserts, personal photos, thread, and encaustic with mono printed BFK Reeves, cradled plywood boards and chalk pastel wall drawing
12x20x10 Feet
detail image of The Yellow Quilt
in progress images of The Yellow Quilt
yarn and wall drawing detail in The Yellow Quilt
bra pad insert and floor detail in The Yellow Quilt
detail image of The Yellow Quilt
detail image of The Yellow Quilt
detail image of The Yellow Quilt
detail image of The Yellow Quilt
detail image of The Yellow Quilt
Experimental Wheat Paste Mural (Precursor to The Yellow Quilt)
2024
This mural was created in Mendoza, Argentina. It is located on the garage storefront of Fiambreria Europa Nueva; a convenience store located in downtown, Mendoza. It consists of acrylic on butcher paper, installed using homemade wheat paste glue. All materials were sourced in Argentina.
I had been wanting to explore the idea of wheat paste murals. Through the generosity of the owner and store manager of this local business, I was able to do so. Having never created a mural via wheatpaste, I was excited to contribute to the local street art scene with this opportunity as I was spending extensive time in the area.
Reflecting on this piece, I consider this mural an experimental precursor to The Yellow Quilt because I was needing to work large and quickly before my residency at The Vermont Studio Center. I had a lot of ideas in my mind about how to move forward with The Yellow Quilt, but needed to work through them in a way that was inconsequential. I was able to work through the necessary ideas at the scale I desired, in a process that was new to me and a local business was provided a moment of beautifying color.
experimental wheat paste mural, 8x8 feet
the 4 above images showcasing the mural upon completion
the above 3 images showcasing the creation and installation of the mural
Sp(arrows)
2022
These works were created for and on view at RIT City Art Space’s 2022 exhibition titled Sp(arrows): A Two Person Show featuring Annalisa Barron and Taylor Kennedy
Work Statement for Sp(arrows):
The floors at 42 Maple Ave were always cold.
I remember Granny always scolding me;
“here, put some socks on
you’ll get a cold.”
Rugs covered the rooms;
primitive. natural.
worn out. well loved. clean.
I never took her socks; I walk with my feet to the ground - sucking up the dirt.
Still barefoot a lifetime later,
I walk over her now warm floors.
New rugs; my stained feet imparting history.
“I know you won’t put socks on, but I wish you would;
you’re making me cold.”
behind the scenes look of installing sp(arrows): a two person exhibition by annalisa barron and taylor kennedy at rit city art space in rochester, ny.
video by clara riedlinger.
Detox
2021
Mixed Media Installation: soft pastel, charcoal, colored pencil, pencil, pen, acrylic, oil, mulberry paper, cardboard, chicken wire, vinyl, canvas, yarn and clothespins on BFK Reeves
5x11 Feet
detail image of detox
detail image of detox
Birth Announcement
2022
Ephemeral Mixed Media Installation: soft pastel, charcoal, colored pencil, pencil, pen, acrylic, oil, mulberry paper, cardboard, found fabric, vinyl, canvas, papier mache and encaustic with pool table felt and chalk pastel wall drawing
11x16x9 Feet
detail image of birth announcement
detail image of birth announcement
installation view of starting the pool table wall drawing for Birth Announcement
detail image of Birth Announcement
The Giving Tree
2022
Ephemeral Mixed Media Installation: soft pastel, charcoal, colored pencil, pencil, pen, acrylic, oil, mulberry paper, cardboard, found fabric, vinyl, canvas, papier mache and encaustic with BFK Reeves and chalk pastel wall drawing
11.5x18.5 Feet
detail image of The Giving Tree
detail image of The Giving Tree
detail image of The Giving Tree
untitled (series of 3 drawings)
2019



















drawing 1 & 2: pastel, charcoal, pen and pencil on board. 15x30 inches
drawing 3: pastel, charcoal, pen and pencil on bfk. 28x40 inches
Aldi’s Date
2019
pastel, charcoal, pen and pencil on arches. dimensions variable
Chicken Soup
2018
pastel, charcoal, pen and pencil on arches. 40x60 inches
What Not to Say (MFA Thesis Exhibition)
2017
DeKalb Gallery, The Pratt Institute, Brooklyn, NY
April 2017
What Not to Say (Exhibition Title Door)
pastel, charcoal, found door installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
That's Not my Name
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
500 Miles
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
500 Miles detail
Hips like Cinderella
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
Hips like Cinderella detail
You and I
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
Hips like Cinderella detail
Whenever, Wherever
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
Suerte
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
Tame
pastel, charcoal, pencil, pen on paper installed with lumber, painters plastic, painters tape and ceramic beer cans, dimensions variable
Graduate Work
2015 -2016
Work Boots
2016, pastel on wall, printed copy papers and crowd barriers, 9 feet x 36 inches
Work Boots detail
A Theory on Human Motivation
2016, pastel on wall, oil on cotton, tracing paper and canvas, 10x14 feet
A Theory on Human Motivation detail
Get me a Beer
2016, Pastel, paper, oil on starched muslin, cardboard, broom, trash, wall-drawing and photograph, 9x7 feet
I'm Michael Sean-Fucking-Kennedy
2016, pastel on gallery wall, 8x9 feet
untitled
2016, screenprint and pastel on bfk, 22x30 inches
Untitled (Self-Portrait)
2015, pastel on bfk, 22x30 inches
Mom
2015, pastel and charcoal on bfk, 22x30 inches
Circus
2015, pastel on bfk, 22x30 inches
untitled
2015, charcoal on bfk, 22x30 inches
Woof
2015, pastel and charcoal on bfk, 22x30 inches
(traditional family portrait)
2015, pastel and charcoal on bfk, 22x30 inches
Town of Sodus
2015, pastel on bfk, 22x30 inches
untitled
2015, charcoal on bfk, 22x30 inches
untitled
2015, charcoal and pastel on bfk, 22x30 inches
I caught up to you
2015, pastel and charcoal on bfk, 22x30 inches
Playlist Series
2015
pastel, charcoal and painter’s tape on paper
8.5x5.5 inches
© taylor mica kennedy 2024